A mile, or so, in a
prisoner’s shoes
At the end of LA Highway 66 near
St. Francisville, La, sits an 18,000-acre gated community.
This community bares beautiful
gardens with bright purple petunias and roses, a deep blood-red. A nine-hole
golf course is adjacent to the cemetery that is neatly lined with headstones engraved
for former residents. Fields of wheat sway gently in the acres surrounding the
enormous livestock population. Little white chapels populate the community for
residents to worship in.
What mars this otherwise picture
perfect scene are the razor sharp wires that glisten in the warm spring
sunshine.
Louisiana State
Penitentiary, Angola,
is the largest maximum security prison in the nation.
I am in a white school bus now with 15 fellow
journalism students, and our professor, Dr. Beth, preparing to tour this
beautiful community.
The bus drives down a blacktop road lined
with Cypress trees carrying us to the first stop on our
tour, the dormitories.
Mary Anthony,
classification manager at Angola
and our personal tour guide began telling us facts as the bus rode along.
“Of the 5,218
inmates incarcerated, more than 3,800 are serving life sentences, and will
never experience freedom again,” she said.
Life sentences in Louisiana
are natural life sentences without parole.
“Most of them die here, and most of their
families can’t afford funerals so they are buried here, too.”
Angola has prisoners ranging from age 18 to 80 plus
years old.
This is my second trip to Angola, and I was really looking forward to a
replay of my last visit. Unfortunately, I did not realize this trip included a
full tour of the prison until we got there because I had just tagged along with
Dr. Beth and her class. The day turned out to be something I was not quite
emotionally prepared for.
My first visit to Angola
consisted of a three-hour seminar with The Angolite staff in a secluded
classroom. The Angolite is Louisiana State Penitentiary’s award-winning
magazine written, edited and published by a staff of inmates. I was really close minded to the realities of
prison then. I suppose I could blame my conservative, southern Baptist raising
to the attitude I had then. A trip to Angola
is a sure fire way to open up a persons mind.
The layout of the dormitory,
oddly enough, reminded me of summer camp, but with grown men in uniforms. The
dormitory shelters 90 men. Rows of bunk beds lined the room with trunks on each
end for the prisoner’s personal belongings, if he has any. The bunks were
immaculately made and shoes were paired up beneath each bunk in a straight line.
There are a lot of loafs of bread, and I think to myself that they must snack
on a lot of peanut butter and jelly sandwiches.
Already I am
annoyed by this tour. We are not allowed to talk to the prisoner’s but it is okay
for us to walk through their home and gawk at them like zoo animals.
We left the
dormitories and headed to the hospice area. A hospice nurse, whose name I have
forgotten, spoke with us about how hospice came about, why and when. Then, she
showed us a trailer for the upcoming documentary that is going to be shown on
TV. At that moment, the tears involuntarily poured down my already red,
heat-stricken cheeks.
Prisoners are
people, too. I just wish everyone on the outside understood that the way Angola
does, thanks to Warden Cain.
I voluntarily
stayed behind with Dr. Beth while the other students strolled through the
hospital quarters. I knew what to expect in there, and that was something I was
not brave enough to witness.
Next comes the
best part of the tour that I had long anticipated. At the end of a hallway,
there are offices full of books, old computers and journalists. These
journalists are prisoners. Trustees, prisoners who have good conduct and have
been incarcerated for at least seven years, make up the staff of The
Angolite. The magazine is written solely by its eight-member inmate staff.
I stood toward the
back, leaned against a countertop and began taking notes while Kerry Myers,
editor of The Angolite serving a life sentence, began talking to us.
He wore blue
jeans, a maroon Angolite T-shirt, clean, white New Balance sneakers and a gold
chain necklace. He looked like any man you’d see on the outside.
Myers talked about
the magazine not being a general news magazine, but a criminal justice magazine.
He said the staff covers the prison and tries to reveal what the mainstream
media does not.
“Mainstream media
does not dig deep enough, they just take the governments word as truth and
regurgitate it,” he said.
Their magazine
makes a person think beyond the limits of mainstream media, which Myers said is
managed corporately, not journalistically.
He talked about
the staff’s limited resources. They have no Internet access and rely on books,
outside sources, other prisoners and their own knowledge to write their
stories.
“We have a lot of
freedom, but we’re still in prison,” Myers said.
Myers, a 15-year
veteran of The Angolite staff, said the staff takes pride in their job, and not
just anyone can be part of the crew.
“The pool is broad
but not deep,” he said. “We have to know everyone here can be trusted and has
the same goal, and that’s the magazine.”
The eight men work
together day and night to produce their award-winning magazine.
One of the
students asked Myers how long he had been there and he replied, “21 years
today.”
The date seemed
irrelevant to me, until now. It was Tuesday,
April 5, 2011.
I am only 21 years
old, as of a month ago. I was 13 days old when he came through Angola’s
gates. I do not know Kerry Myers personally, and I had no idea who he was until
last October when I first visited Angola.
Regardless, it doesn’t seem fair that he has spent, what is to me, an entire
lifetime in prison.
I cried a little
inside because I had already realized this last October when I visited Angola,
but it took me this long to remember the sad thought.
John Corley,
another lifer and Angolite staff member, was still there. I met Corley on my
first visit to Angola
and couldn’t forget him since he is a fellow die-hard Elvis Presley fan such as
me. Leave it to me to find that out in a five-minute conversation.
I shook his hand
and told him I was glad to see him again and asked how he had been.
Thinking back that
seems like a moronic question to ask a man who is serving a life sentence in
prison and essentially has the same daily routine.
The day was
depressingly steady as we moved from site to site of the prison, and it never
got happier.
Our next stop was
the old execution and lock down area known as “Red Hat Cell Block.” Mrs.
Anthony informed us that this was where prisoners were sent for punishment when
the prison first evolved. They were stripped of their clothes and feed through
food slots in the door and sometimes 12 men were piled into one eight by eight
holding cell.
Directly next to
these cells is the former execution room.
In front of the
execution chair is standing room for the public who came to watch executions.
Public executions ended in 1973 and Ms. Anthony said that 65 men and one woman
were legally executed in that room from 1957 to 1973. She put a lot of emphasis
on legally.
The next building
we toured was apparently newly erected and resembled the entrance of an
elementary school, and for whatever reason I remember the distinct smell of
freshly-baked blueberry muffins. I had no idea where we were until someone
informed me… We’d arrived at death row.
Inside we walked
through a set of doors and proceeded down a hallway that had phone booths and
visiting rooms to the left. Ms. Anthony informed us that four times a year, death
row prisoners are allowed a visitor, if they are really good.
At the end of the
hallway, another door leads into death row. In the center is a round room
enclosed by glass with computers and what I assume to be security,
surveillances and what-not. The room serves as the center of the building where
hallways extend like rays of sunshine, but really the hallways are more like blades
on a razor-sharp saw.
I tell Dr. Beth I
do not want to walk down the death row hallway, but she insists I cannot truly
know how disgusting it is until I go.
So I follow her,
and the rest of the students. In a single file line we walk to the end, turn
around and return in the same fashion. Again, unable to speak to the
prisoner’s, but able to gawk at them like zoo animals.
Again, the tears
involuntarily stream down my face, faster and longer. I am disgusted not only
with the system, but with myself. I didn’t need to walk the plank to know how
disgustingly heartbreaking that was going to be.
There are 83 death
row inmates who spend 23 hours a day in their cell and are allowed one hour outside
for exercise, twice a week. The exercise area is set up in a small, fenced in
area that looks like batting cages. Each cage has a basketball hoop. Their
shower stalls are in their cellblock, so they really see nothing but death row.
The only sign of life they see in a day, aside from a guard, gawking tourists
or fellow inmates passing by is a thin line of trees and grass barely visible
through the thick iron bars. It is tragic, and I am slightly nauseous at this
point.
There is one more
stop on our tour and I can’t even fathom what is left to show in such a hell.
Well, of course it only gets worse. Not far from death row is the execution
room. Again we are at the end of a hallway. To our right is where the victim’s
family, lawyers, etc., sit and watch the inmate die, by lethal injection,
through a glass window.
Directly in front
of us we proceed through to the room which holds the lethal injection table. An
execution table looks exactly like one would imagine or see in a movie. Gray
and bleak, with three thick, burgundy-brown colored straps, two at the feet and
one around the waste to restrain the inmate. If you need any more of a visual
you can watch Dead Man Walking which was filmed at Angola
in the late ‘90s.
Angola
has used this table since 1991. Eight people have been executed since then.
Inside the
execution room, there is a reaper (as I choose to call him.) He is inside a
smaller room within the execution room and no one ever sees him except the prisoner
facing execution and the warden standing beside the prisoner, but only once the
curtains close over the large glass exhibition window. The reaper then comes
out, injects the euthanasia, and returns to the closet-sized room and almost
instantly, the prisoner is dead.